Southpaw full movie download

Boxer Billy Hope turns to trainer Tick Wills to help him get his life back on track after losing his wife in a tragic accident and his daughter to child protection services.

Director:

 Antoine Fuqua

Writer:

 Kurt Sutter

Stars:

 Jake Gyllenhaal, Rachel McAdams, Oona Laurence| See full cast and crew »

Storyline

As tragedy strikes him in his prime, famed boxer, Billy Hope, begins to fall into a great depression. Once the decision regarding the custody of his daughter is under question, Billy decides to get his life back on track by getting back into the ring.

Movie Reviews

Let's start by saying what everyone else was thinking: "What else is new?" We have all seen this movie before. It follows the very uninspired formula that Hollywood has been using for years now; there is nothing cutting edge about the premise of Southpaw. 

Where it defied expectation was in its raw emotion. Everything that makes Southpaw good lies in the performance of the entire cast. Jake Gyllenhaal, in particular, simply could not have been more exceptional. His portrayal of loss, victory, sorrow, shame, anger, guilt, and love were unbearably palpable, and made the movie an intensely uncensored work. This is a performance you simply CANNOT pass up. I also appreciated the ways in which the last boxing scene was shot. It takes the grueling perspective of Billy Hope himself and his competitor. That camera angle put the viewer in the closest possible position of the two boxers while in a fight which made the scene all the more terrifying and all the more wicked awesome. 

I thoroughly enjoyed this movie. Yeah yeah.. We all have seen at least 18 movies of a successful man losing everything that could ever possibly matter to him; however, the difference is that never have I experienced it more vividly than in Southpaw. Props to Gyllenhaal again for making me feel things that most actors will continue to fail to do.

Mission: Impossible - Rogue Nation full movie download

Ethan and team take on their most impossible mission yet, eradicating the Syndicate - an International rogue organization as highly skilled as they are, committed to destroying the IMF.

Director:

 Christopher McQuarrie

Writers:

 Christopher McQuarrie (screenplay), Christopher McQuarrie (story), 2 more credits »

Stars:

 Tom Cruise, Rebecca Ferguson, Jeremy Renner |See full cast and crew »

Storyline

CIA chief Hunley (Baldwin) convinces a Senate committee to disband the IMF (Impossible Mission Force), of which Ethan Hunt (Cruise) is a key member. Hunley argues that the IMF is too reckless. Now on his own, Hunt goes after a shadowy and deadly rogue organization called the Syndicate.

Movie Reviews

Even two hours won't be enough for "Mission: Impossible - Rogue Nation'" to be able to unravel all its exhilaratingly high-octane action and drama. This fifth installment in the franchise surges with death-defying action proceedings, riveting and pulsing with the relentlessness and explosiveness of its spiking adrenaline, to deliver the franchise's most thrilling outing, yet.

That relentlessness is true and screaming right at the opening sequence of the film, where IMF agent, Ethan Hunt (Tom Cruise), is seen dangling from the door of an airbus, already adrift in the air as it ascends even further to the skies. That's the first of too many, and you wouldn't care less of the logic behind such impossible knockout stunt demonstrations, because once the momentum crashes past the speedometer's limit, there's no other choice left but to get consumed by the electrifying influx of near-impossible action setpieces. This doesn't mean there's barely any sense to take in, in fact you would be awed to realize that in spite of its speed and strength-defying physicalities, characterizations are still working along the explosive chaos, and the behavior of the characters, and the emotional aspect of the narrative, still follows acceptable reasoning.

The whole of 'Rogue Nation' can be seen as Hunt's team desperate attempt to keep IMF running, and save it, and the world it intends to protect, from extinction. This time, the major figure of terror, is the mysterious organization, 'The Syndicate', headed by the despicably steel-fisted Solomon Lane (Sean Harris) . Ethan is joined by co-IMF agent, William Brandt (Jeremmy Renner), and suspicious British agent, Ilsa Faust (Rebecca Ferguson). The comic effort comes mostly from Hunt's sidekick, Benji (Simon Pegg), and Brandt, who spends most of the time running and chasing after the shadow-terrorist group, The Syndicate.

Much of the movie's strength emanates from its seemingly unstoppable delivery of edge-of-your-seat action, but you can't ignore the grandeur of its camera shots and the palatable efforts of its lead characters and supports. There's much to say about how inconsistent and illogical some of the narrative choices that the screenwritersn took are, but they get overshadowed by the more relevant, and on this case, more effectively utilized, high-tension action extravaganza.

One can inevitably notice how Cruise has aged through the franchise's almost two-decade history. He's more tired-looking here, but you can't question his commitment to the franchise. In 'Rogue Nation', he's definitely back, running after, and wrestling against, the equally desperate claws of 'The Syndicate'. He hops across the world to trump the enemy, and in every city, he inevitably gets himself involved in deadly strangulations. At such moments, cinematography is top notch, and the breathtaking panorama becomes an exquisite backdrop for the ever-imminent rumbles. This is where this installment is strongest and most engaging, a strength that should warrant a sixth outing.

Ant-Man full movie download

Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.

Director:

 Peyton Reed

Writers:

 Edgar Wright (screenplay), Joe Cornish(screenplay), 7 more credits »

Stars:

 Paul Rudd, Michael Douglas, Corey Stoll |See full cast and crew »

Storyline

Armed with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.

Movie Reviews

I went into this flick not expecting much. I'm not an Ant Man fan so I was not waiting in anticipation for this as much as I wanted to see Age of Ultron.

The character that Paul Rudd plays in this movie is not the Ant Man I wanted to see, and Micheal Douglas' role as Hank Pym, the original Ant man only made me want to see him dawn the suit even more, cause Micheal Douglas was everything a superhero should be in this movie, Charming, really good dialog, and ready for action. 

Overall, Ant Man surprised me. It was one of the more unique superhero movies out. Ant Man did things far beyond just punching and kicking that a lot of superheroes are doing on the big screen and went places no other super hero could go making for an action packed adventure. As cool as Ant Man was when he was regular size beating up the bad guys, was as good as when he was shrunken, riding and controlling ants in a world only he can go to.

The villain Darren Cross was actually pretty good too. Not as good as Loki, but just as psycho. 

Once again, not an Ant Man fan but this movie is changing my mind. I'm so impressed with what Paul Rudd did with the character. 

Not only that, but it's a great Marvel comic movie, in how it intertwines with the whole Marvel cinematic Universe.

Definitely recommend seeing in 3D cause it's that type of movie that deserves it.

The Man from U.N.C.L.E. full movie download

In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.

Director:

 Guy Ritchie

Writers:

 Guy Ritchie (screenplay), Lionel Wigram(screenplay), 5 more credits »

Stars:

 Henry Cavill, Armie Hammer, Alicia Vikander |See full cast and crew »

Storyline

In the 1960s with the Cold War in play, CIA agent Napoleon Solo successfully helps Gaby Teller defect to West Germany despite the intimidating opposition of KGB agent Illya Kuryakin. Later, all three unexpectedly find themselves working together in a joint mission to stop a private criminal organization from using Gaby's father's scientific expertise to construct their own nuclear bomb. Through clenched teeth and stylish poise, all three must find a way to cooperate for the sake of world peace, even as they each pursue their own agendas.

Movie Reviews

I just saw a sneak preview of this movie and I have to say I thoroughly enjoyed it. I will have to preface this review by saying that I have not seen the original show, so I can't say whether this paid appropriate homage to the original, or if it is a bastardization.

The opening sequence chase scene featured heavily in the previews, but surprisingly the trailer did not ruin the scene. It actually came across even more crisp and clever in the theater and was a great beginning for the movie. It perfectly sets the tone of the two spy characters and establishes their respectful rivalry.

The movie isn't wall-to-wall action, but there are enough action scenes to keep the pace lively. There is also a second chase scene towards the end of the movie that is perhaps even better than the opening scene's chase.

I think the real strength of the movie is the comedic element. The banter is quite snappy and a few of the lines I couldn't hear because of the laughter filling the theater. In particular Henry Cavill delivered as the slick cool spy Solo.

Armie Hammer also delivered as the Russian counterpart, Illya. In many ways he plays the straight man to Cavill's comedian, which is actually the harder part to play. It was also apparently the harder part to direct and/or film since a few of his scenes came across as a bit clichéd.

The third part of the group is Gaby, played by Alicia Vikander. The part she played is the most uneven of the group. To an extent it seemed like they couldn't quite figure out her role, so she ended up being a bit of a third wheel. That being said, she didn't detract from the movie, and serves as another foil for the two main characters.

As long as I'm mentioning actors/actresses, I have to say that Hugh Grant did a superb job in a relatively minor role. Also Elizabeth Debicki did an excellent job as the female villain.

Since this is a period piece, I think it's important to point out that they went through a lot of effort to get things right. Fortunately for me, they did such a good job that it, that it didn't feel like I was being beaten over the head with the 60's. There were a number of iconic outfits, but overall it was subtle enough that I wasn't jarred out of the movie, which says a lot about the great job they did.

Overall, I thoroughly enjoyed the movie, and would recommend it for anyone who enjoys spy movies, or action/comedies. Also, if you've seen the trailer and thought it showed promise, then you should definitely see the movie, because the trailer doesn't show all (or even most) of the good parts, but gives a good sampling.

In the Heart of the Sea full movie download

A recounting of a New England whaling ship's sinking by a giant whale in 1820, an experience that later inspired the great novel Moby-Dick.

Director:

 Ron Howard

Writers:

 Charles Leavitt (screenplay), Charles Leavitt(story), 3 more credits »

Stars:

 Chris Hemsworth, Cillian Murphy, Brendan Gleeson| See full cast and crew »

Storyline

In the winter of 1820, the New England whaling ship Essex was assaulted by something no one could believe: a whale of mammoth size and will, and an almost human sense of vengeance. The real-life maritime disaster would inspire Herman Melville's Moby-Dick. But that told only half the story. "In the Heart of the Sea" reveals the encounter's harrowing aftermath, as the ship's surviving crew is pushed to their limits and forced to do the unthinkable to stay alive. Braving storms, starvation, panic and despair, the men will call into question their deepest beliefs, from the value of their lives to the morality of their trade, as their captain searches for direction on the open sea and his first mate still seeks to bring the great whale down.

Movie Reviews

In the Heart of the Sea is an Action/Adventure/Biopic based on the real disaster that inspired Herman Melville's 'Moby-Dick'. The film follows the voyage of the 'Essex', a whaling ship that was bought down in 1820 by a Sperm Whale in the South Pacific, and is a tale of Adventure, Drama, Survival and Boredom. Obviously the main reason I and most other people wanted to go and see this movie was to see this massive whale go toe to toe with the Essex and its crew. Actual confrontations with the whale in this film were few and far between but when they happen, man do they make an impact. This whale was ginormous, he was grand and it was such a spectacle seeing this huge beautiful whale on screen. The way they emphasise his size through juxtaposing him with the boats gives his presence much more weight. Confrontations with the whale were intense and serious edge-of-seat stuff. The CGI effects of this whale were beautiful and incredibly detailed. This would have taken up a huge chunk of the budget as making this whale look as realistic as possible was crucial to the enjoyment of the film. Some of the CGI in the wide shots were well done, but there were still quite a few scenes and wide shots throughout the film, especially in Nantucket that really just didn't look right and did take me out of the film.

The film's biggest problem over the entire film was the pacing and the negative effect that had on my overall enjoyment of the film. This was a lot of the time a very slow film, especially at the beginning where the first 20 minutes or so was very dreary and quite boring. Throughout the film there are quite a few uninteresting moments that constantly just make you lose interest. The biggest culprit of these boring sleep inducing moments were the scenes that are showing Thomas Nickerson (Brendan Gleeson) recounting the events of the film to Herman Melville. Scenes like this are nothing new and have been done in countless films before this, but they were just completely uninteresting and didn't really add anything to the actual story of the film. I guess they were trying to get us to care about his character and his younger self for what he endured but for me at least i could have done without those scenes and it would have cut at least 15 minutes of its long 2 hour runtime and the film would have flowed better and quicker. There was one bit of dialogue early on that i thought spoiled how the film was going to end, but it was a very good piece of misdirection by the writers, if it was intentional. 

Acting wise, the film was pretty good. Chris Hemsworth was the obvious standout, he was able to show off his acting talents quite a few times throughout the film, but still it was nothing amazing. The supporting cast was also mostly pretty strong, Benjamin Walker and our friendly neighbourhood Tom Holland were good, not great, just good strong performances. Ron Howard did a pretty good job directing the film, most of the time he nailed the tone of the film. The dramatic action scenes were filmed and directed in a very frantic and chaotic manner that upped the stakes during those intense moments. Especially in the latter portions of the film he does represent the sad tones and emotion pretty well and handles some very confronting scenes in a way that isn't too disturbing but also isn't sugar-coated. The latter half of the film although not free of some boring moments does pick up significantly from the first half when it introduces some survival elements. It doesn't really end on a high note, it should have been a short and sweet ending but it is dragged out a little longer and just ended up being alright. 

In the end, this is an Action/Adventure that has its intense, dramatic moments, but is not without some boring moments that if excluded could have kept the film to like 1 hour and 40 minutes and would have made it more enjoyable and impactful. If you are fascinated of the story of Moby-Dick then you will probably get more out of the film than i did but it really wasn't as great as it was meant to be. - 6/10

Also this film believe it or not was supposed to release way back in March of 2015, but it was pushed back to December into Awards season to possibly get some Oscar recognition. Should have stayed in March because i'll be genuinely surprised if this even gets nominated for any awards when you consider all of the other great stuff from this year.

Baby (I) full movie download

An elite counter-intelligence unit learns of a plot, masterminded by a maniacal madman. With the clock ticking, it's up to them to track the terrorists' international tentacles and prevent them from striking at the heart of India.

Director:

 Neeraj Pandey

Writer:

 Neeraj Pandey

Stars:

 Akshay Kumar, Danny Denzongpa, Rana Daggubati| See full cast and crew »

Storyline

The country is perpetually under threat from terrorist powers and the common man walks unaware of the threats and the attacks that our Government controls and prevents. While the common Indian fights for everyday issues, there are deeper and bigger threats to him and his family that he will never know exist because it is the men and women in uniform that safeguard them. The men and women who put country before self, the men and women who define our history because they give a damn! Ajay (played by Akshay Kumar) is one such officer who is part of an elite team chosen from amongst the best in the Forces to form a covert Counter Intelligence Unit. In the course of foiling one terrorist attack bid, Ajay discovers a major threat to our nation - a plan to cause damage and strike fear at the heart of our very existence. The plot is masterminded by a maniacal leader whose organization has its tentacles spread across the world. As days progress, the unit goes through escalating challenges with...

Movie Reviews

Though I don't categorize movies on the basis of their region or country, I had mentioned this title regarding India being proud of this movie. This is because I have heard people yelling in social media and in public about the low standards of Indian movies specially thrillers which either lack thrill or are copied from Hollywood. I agree to them o most occasions but this one. And I would strongly recommend people who complain about the lack of good movies in Bollywood to go and watch it. Or else stop complaining these craps.

Coming on to the movie, it describes the biggest agenda world is facing right now, i.e, Terrorism, in best way it could. The story comprises of many small incidents which are bound together so slickly that we feel the smooth flow of script. We are lost in the hustle going on in front of us and are keen to know what is coming next. First half makes the plot for the movie and the second half unleashes the execution. Each and every scenes complements its predecessor and we are biting our nails without even noticing it. Last hour is full of thrilling actions and grueling proceedings.

Talking about the acting , I must say Akshay Kumar has delivered a role of his life very convincingly. He lives his character and puts that extra amount of thrill via his superb action. Danny plays his role quite brilliantly. Anupam, Tapsee, Kay Kay and other supporting casts act life to their characters and make this movie a combo of power packed performances.

Director Neeraj Pandey has already made a Wednesday and Sp 26 in past and thats why there was a very little scope for improvement for him. But I would be lying if i don't say that this is a notch higher that his earlier masterpieces. Editing is quite crisp. Screenplay is the soul of this movie while BM is equally engaging. Cinematography is grand and deserve applause. Dialogues are apt and support the movie a lot. Music is average and rightly so. Choreography is nil while action is breathtaking.

It has a few flaws here and there in a few scenes but those are hardly noticed due to the fast paced drama and screenplay.

Overall, a standing ovation for Neeraj and Akshay to give us Indians a movie to feel proud of. It can easily go into books as one of the best Hindi movies.A movie of Hollywood standard and execution. And who knows Akshay might get a shot at his dream of wining a National Award. I won't be surprised if he gets one along with Neeraj Pandey. It also has a potential to be India's official Oscar entry next year.

The General full movie download

When Union spies steal an engineer's beloved locomotive, he pursues it single-handedly and straight through enemy lines.

                                                                    

Directors:

 Clyde Bruckman, Buster Keaton

Writers:

 Buster Keaton, Clyde Bruckman, 5 more credits »

Stars:

 Buster Keaton, Marion Mack, Glen Cavender |See full cast and crew »

Storyline

Johnnie loves his train ("The General") and Annabelle Lee. When the Civil War begins he is turned down for service because he's more valuable as an engineer. Annabelle thinks it's because he's a coward. Union spies capture The General with Annabelle on board. Johnnie must rescue both his loves.

Movie Reviews

Buster Keaton's "The General," about a man and his engine, puts you in a world where the most comically inventive situation that could happen will happen. From major comic situations to throwaway gags, "The General" always knows what to do.

The story begins in leisurely fashion. A title card tells us that Johnnie Gray (Keaton) has two loves in his life: his engine and his girl—respectively, The General and Annabelle Lee (Marion Mack). Johnnie goes to visit Annabelle, followed by two engineer-worshipping boys and, unknown to him, Annabelle Lee herself. He and his entourage arrive at the door; Johnnie polishes his shoes on the back of his pants legs, slicks back his hair, and gently taps the door with the door knocker. Then he turns to notice Annabelle. Keaton's understated reaction is a testament to his uniqueness. Any other comedian would have done an explosive double-take.

Now Johnnie and Annabelle are together in her parlor, but the boys are there, too. Johnnie stands up, puts on his hat and opens the door as if to leave. The hero-worshippers are ready to follow, but Johnnie lets them out first, then closes the door on them. This is a gentle ruse in the world of silent comedy. At Keystone both boys would have gotten kicked in the pants.

Now the two are alone. Annabelle's father sees them from another room and is about to break things up when her brother enters and announces that Fort Sumter has been fired upon: the War Between the States has begun. Annabelle kisses her father and brother as they go to enlist, then turns expectantly to Johnnie, who cocks his head like a confused puppy. She asks, "Aren't you going to enlist?" Realization hits him, and he leaps off the seat. Before he can run out the door, Annabelle kisses him. This so overwhelms Johnnie that he flings out his arm in a farewell gesture and falls off the porch.

Johnnie races to the general store, which is now a makeshift recruitment office. Taking a shortcut he manages to be the first in line. The door to the office is opened and Johnnie comes marching in—only he and the rest of the line go in two different directions, and he has to jump over several tables to get in front again. He gives the enlistment officer his name and occupation, but the man rejects him. Johnnie is more valuable to the South as an engineer. Later, Annabelle believes that Johnnie didn't even try to enlist. She refuses to speak to him again until he's in uniform. What follows is a classic moment: Johnnie sits on the connecting rod of his engine. He's so miserable that he doesn't notice when he starts moving up and down, until just before the train enters a tunnel.

Time passes and we learn that a group of Unionists are secretly passengers on The General. When (nearly) everyone is off the train having dinner, the Unionists climb back aboard and take the engine. Annabelle, a passenger herself, was still on board. She is now their prisoner.

But Johnnie only knows his beloved General has been stolen, possibly by deserters. He pursues the engine by taking another, The Texas. Through a mishap he becomes the sole person aboard The Texas, but the Unionists think they're outnumbered and continue to run. What follows is the true joy of the movie: two long chases (separated by an important plot twist). Now the movie changes its quiet pace for almost nonstop action.

I love it when the Unionists break off the rail car to hinder The Texas. At one point, the car, which Johnnie thought he had switched to another track, reappears in front of the baffled engineer, only to disappear later just as mysteriously. We see the logical circumstances that lead to the car's seeming magic act, and the equally logical situations that keep Keaton occupied, preventing him from seeing what we see.

Comic logic is important to "The General." In no other movie do hyperbolic slapstick gags seem so plausible and inevitable. In a throwaway gag, Johnnie empties a burlap sack full of shoes because he urgently needs the sack. Of course—of course!—he loses his own shoe in the pile and must stop to hunt for it.

We move to the second chase, where Johnnie has The General and the Unionists are the ones pursuing him. Now Johnnie must contend with Annabelle Lee.

Marion Mack leaves no mark of her personality on the screen. She deserves credit mainly for being willing and able to take it. Bette Davis and Katharine Hepburn were never thrown around, trod upon or knocked about the way Marion Mack was. She has hilarious moments. The excitement of the chase does not prevent her from taking out a broom to sweep the dusty floor of the engine. An exasperated Johnnie tells her to keep throwing wood into the fire. She takes a small stick and daintily puts it in. Johnnie sarcastically hands her a sliver, and she puts that in, too. Then, in a moment that has an audience roaring and clapping, Johnnie grabs her and half-throttles her before kissing her instead.

The final section, most of it a battle scene, includes the shot where The Texas begins to cross a burning bridge, only to crash into the river. Owing to Keaton's disdain of fakery (one of several reasons his works seem modern) he did not use a model but a real train on a real burning bridge. The crash cost $42,000—reportedly making it the single most expensive shot ever in a silent film.

A worthy closing gag was too taxing even for Keaton's ingenuity. Johnnie's dilemma is to kiss his girl while saluting the passing soldiers. His remedy is only mildly funny. Is anyone complaining? "The General" is a work of art and a work of genius.

Ran full movie download

An elderly lord abdicates to his three sons, and the two corrupt ones turn against him.

Director:

 Akira Kurosawa

Writers:

 Akira Kurosawa (screenplay), Hideo Oguni(screenplay), 2 more credits »

Stars:

 Tatsuya Nakadai, Akira Terao, Jinpachi Nezu |See full cast and crew »

Storyline

Japanese warlord Hidetori Ichimonji decides the time has come to retire and divide his fiefdom among his three sons. His eldest and middle sons - Taro and Jiro - agree with his decision and promise to support him for his remaining days. The youngest son Saburo disagrees with all of them arguing that there is little likelihood the three brothers will remain united. Insulted by his son's brashness, the warlord banishes Saburo. As the warlord begins his retirement, he quickly realizes that his two eldest sons selfish and have no intention of keeping their promises. It leads to war and only banished Saburo c an possibly save him.

Movie Reviews

I would agree with Ebert's review on a point, that Akira Kurosawa, legendary director of such samurai classics as Seven Samurai, Yojimbo, Hidden Fortress, and Kagemusha, as well as human dramas like Rashomon, The Lower Depths, and Red Beard, could really best direct this film in his old age. There's something about his version of the doomed King Lear of Shakespeare, his Lord Hidetora Ichimonji that could be truly captured by someone in old age. Not to say that directors can't make great films when they're young, or in middle age, about a man in the dark days of the golden years (About Schmidt, Tokyo Story, Bob Le Flambeur, and Kurosawa's own Ikiru come to mind). But it's clear that Kurosawa must've seen or felt or understood at least an element of Hidetora's character, something that goes beyond tragedy that is stuck with all who are mortal. 

At one point when Hidetora is in a wandering, dazed state he says "I am lost", to which his companion/caretaker Kyoami responds "Such is the human condition." Was Kurosawa lost as an artist and filmmaker as he tried to get his epic (which at the time of it's filming was the most expensive Japan had seen, and got some extra backing from outside European backers) off the page and onto celluloid? Hard to say, but the end result displays that even in his later days he could create a work so wonderful, so sad, so brutal, and so human that it will remain timeless. If Kurosawa deserves praise for look of the film, the pacing, the editing, every single painstakingly storyboarded (painted) shot, and his direction with the two battle sequences as well as with the quieter, more compelling scenes with the actors, the man who plays Hidetora deserves some as well (like any production of King Lear, including Godard's wild treatise with Burgess Meredith in the lead role, the actor is as important as the writer). Tatsuya Nakadai, who had roles in past Kurosawa films as a young man in Yojimbo (the gunslinger) and Sanjuro (the opponent), is awe-inspiring. 

Early in the film, after a mind-shattering dream, his character decides to split up his kingdom unto his three sons (Jiro, Saburo, and getting the first castle and all control, Taro), he still feels in control, and has the look of a Lord with just the right level of stubbornness and, unfortunately, naivety. Then, as everything he owns crumbles before him, there is one scene that struck me as remarkable, and then for the rest of the film I couldn't take my eyes off of Nakadai whenever he was on screen. It involves the first battle sequence, in which one of his son's comes to take over a castle, and killing all of Hidetora's men. Look at Nakadai in the scene where he's sitting down stone-faced amid the chaos going on outside, and then as he somehow manages to walk out, the fellow soldiers making way for him. He then sees one of his sons, the betrayer, and he doesn't say a word- he's already decided that his son Taro has gone too far with his position, as he rules over his domain and scares the peasants right out of the picture- and he simply walks away, as his family continues to crumble under corruption of the mind and heart.

It's a sequence like that though, where the great Lord makes such a radical change, where Kurosawa and Nakadai have some of their greatest time ever on a screen. As the filmmaker treats the battle, up to a point, like a feudal-Japanese version of a Eisenstein battle (no talk, no sound effects, just the eerie, sorrowful score here applied by Toru Takemitsu) with devastation and visceral nature taken to a poetic, thoughtful level, the actor's eyes and body language are, well, indescribable almost. And if Nakadai gives the finest male performance of the film, credit is equally due to the pivotal female character, Lady Kaede (Mieko Harada), who is like a Lady Macbeth taken to the next level. This is a character that's seen Lord Ichimonji destroy his castle when she was young, and now that she has her son(s) right in the palm of her hand, she'll have her revenge in guise of ego-feeding. 

I may not be able to recommend Ran on one level, despite it being on the painter's equivalent of a splendorous, seething portrait of royalty. Kurosawa takes his time telling the story, and to some it might even feel longer than his epic Seven Samurai. This is a work heavy on emotional nuance, on how the characters (in particular Hidetora) look unto their surroundings, how the presence of destruction and war and slayings are traumatic as opposed to being 'cool' in a stylistic way. If you're looking for a slam-bang action thriller look, elsewhere. But if you're looking for a mature film about life, death, loss, and the bonds that are kept within families, the mind, and how we accept and give forgiveness (a blind character named Lord Tsurumaru is stunning from a certain point of view), this is it. As well for the Shakespeare fan it's an absolute must-see, and it may even turn some onto Shakespeare's classic due to the fact that this film, much like Throne of Blood, contains none of the language style used in the source.

Samurai Cop 2: Deadly Vengeance full movie download

It's 25 years later, and Detective Frank Washington is forced to team up with his long estranged partner Joe Marshall to solve a series of assassinations.

Director:

 Gregory Hatanaka

Writers:

 Gregory Hatanaka, Rich Mallery, 2 more credits »

Stars:

 Mathew Karedas, Mark Frazer, Bai Ling |See full cast and crew »

Storyline

It's 25 years later, and Detective Frank Washington is forced to team up with his long estranged partner Joe Marshall to solve a series of assassinations.

Movie Reviews

As a big time fan of cult films, the original Samurai Cop ranks right up there with The Room, Troll 2, and Birdemic. Kudos to the filmmakers and actors to bring (most) everyone who was originally involved with the first film back for a sequel. Overall, they did a good job of keeping the tone of the original film, as well as bringing in a modern look. Matt Hannon and Mark Frazer did an excellent job as the leads. Fun to watch Tommy Wiseau as the villain. Also good to see Mel Novak back in the game again. If you haven't seen the first film, you may not get all of the inside jokes. In fact, at times, there is a lot going on. You may even want to watch this several times to catch everything.

Baahubali: The Beginning full movie download

In ancient India, an adventurous and daring man becomes involved in a decades old feud between two warring people.

Director:

 S.S. Rajamouli

Writers:

 Vijayendra Prasad (story), S.S. Rajamouli(screenplay), 4 more credits »

Stars:

 Prabhas, Rana Daggubati, Anushka Shetty |See full cast and crew »

Storyline

When Sanga and her husband, part of a tribe living around the province of Mahismathi, save a drowning infant, little do they know the background of the infant or what the future holds for him. The kid grows up to as Shivudu, a free-spirit wanting to explore the mountains and in the process learns of his roots and then realizes the whole purpose of his life and ends up confronting the mighty Bhallala Deva! 

Movie Reviews

I'm a big fan of Rajamouli, but this is not a biased review. The rating I gave is not just for Rajamouli but the entire unit of Baahubali. Right from the story which reminded me of all the beautiful Indian stories that were part of my childhood,(I'm getting back to reading Amar Chitra Katha now!!!) to every guy who says "Baahubali" in the movie. There were several scenes that gave me goosebumps, not scary ones but like those that put you in awe.

It should just get better from here for Indian Cinema. This should be the benchmark for story telling, direction, script, visuals, sets, screenplay etc.(but not for acting!!!)

The story keeps you hooked to the movie. I wouldn't say too many good things about the movie as they may contain spoilers. But I could compare the movie to a good mythological comic that you would like to read again and again.(So I'm watching the movie again tomorrow!!!)

But I would like to mention why I reduced the two stars 1. The make up was not at all good. Especially Anushka's 

2. The costumes could be better, probably more realistic(if you compare costumes in Troy or even Hercules, they were more relevant) 

3. At times people in the background were not true to the scene, my concentration was distracted due to some idiots who didn't match the scene. A few villagers, few priests, few classical dancers, few tribal guys. The Kalakeya warriors were amazing though. 

4. WHO THE HELL CHOSE TO PUT AN ITEM SONG. There were many uufffs in the theatre at that time. How the hell did probably an eastern European end up in that. 

5. There were a few glitches in the VFX, like whenever the hero is jumping around... it made it look unnatural. That's poor graphics. I'm not an expert on this but few of those jumping sequences could be avoided. You don't see them in Hollywood mythological except for superhero movies which are more convincing.

But not too many complaints about that as I understand there are certain budget constraints for VFX but Makeup, there is no excuse for that.

All said and done, it was a fantastic movie and worth the wait and ends with a nice climax which keeps you guessing the 2nd half story. 

My favourite characters were Sivagami and Kattappa. I am in love with Ramya Krishna again. I'm watching it again tomorrow.

Harakiri full movie download

An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.

Director:

 Masaki Kobayashi

Writers:

 Shinobu Hashimoto (screenplay), Yasuhiko Takiguchi (novel), 1 more credit »

Stars:

 Tatsuya Nakadai, Akira Ishihama, Shima Iwashita| See full cast and crew »

Storyline

Peace in 17th-century Japan causes the Shogunate's breakup of warrior clans, throwing thousands of samurai out of work and into poverty. An honorable end to such fate under the samurai code is ritual suicide, or hara-kiri (self-inflicted disembowelment). An elder warrior, Hanshiro Tsugumo (Tatsuya Nakadai) seeks admittance to the house of a feudal lord to commit the act. There, he learns of the fate of his son-in-law, a young samurai who sought work at the house but was instead barbarically forced to commit traditional hara-kiri in an excruciating manner with a dull bamboo blade. In flashbacks the samurai tells the tragic story of his son-in-law, and how he was forced to sell his real sword to support his sick wife and child. Tsugumo thus sets in motion a tense showdown of revenge against the house.

Movie Reviews

I've said it once about another movie, incidentally by the other great Japanese director as well and I want to repeat my words in regard to "Harakiri": "There are good, very good, and even great movies. But among them there are just a few that go beyond great. They belong to the league of their own". Masaki Kobayashi's "Harakiri" aka "Seppuku" is one of them. The film of rare power and humanism, of highest artistic achievements, profoundly moving, tragic like the best Shakespeare's plays, universal and timeless even if it takes place in the faraway country of 1630, by the words of one of the reviewers "Harakiri" "is to cinema as the Sistine Chapel is to painting. Unsurpassable!" 

The film grabbed me from the very first shot, from its opening credits with their perfect harmony of kanji (I believe it is a correct word to describe the writings) characters, with the unusual disturbing score and with the dark beauty of the images. And then the story begins that centers on Hanshiro Tsugumo (Tatsuya Nakadai), one of hundreds or maybe even thousands unemployed lord less samurais, ronin, that in the blessed times of peace had not many choices to adjust to new life and often preferred to commit a ritual suicide, hara-kiri or seppuku on the property of the wealthy estate owners. According to Bushido, the way of the samurai, "One who is a samurai must before all things keep constantly in mind, by day and by night . . . the fact that he has to die. That is his chief business." 

At the same time, samurai and anti-samurai film, "Harakiri" offers the masterfully screened scenes of sword-fights, not plentiful but exquisitely choreographed, perfectly paced and unbearably intense but the film is much more than that. It is also a gripping court drama where the truth is unfolded in the flashbacks. The viewers are allowed to look closer at the noble Samurai code of behavior and to reflect on how its abuse impacts the fate of an individual and the society in general. Compelling, poetic, and tragic, the movie has one of the most pessimistic endings ever that makes you wonder how the history is made, how the historical events are interpreted and who decides what would be written in the chronicles and important documents and what would be left out.

A Masterpiece, one of the best movies ever made, "Harakiri" deserves all its praise. It is not in my nature to force my opinion on anyone but if you call yourself a movie buff or a movie lover, you MUST see this film.

Queen of the Mountains free movie download

The relevant epic story of the strong-willed, courageous and independent woman before her time, Kurmanjan, who is revered to this day for her diplomacy for saving her nation from complete destruction when the Russians invaded.

Director:

 Sadyk Sher-Niyaz

Writers:

 Sadyk Sher-Niyaz (screenplay), Bakytbek Turdubaev, 1 more credit »

Stars:

 Elina Abai Kyzy, Nasira Mambetova, Aziz Muradillayev | See full cast and crew »

Storyline

The historical, epic drama, set in 19th century Central Asia, tells the true story of Kurmanjan Datka, a strong willed woman, who becomes the ruler of her country and saves the nation from total destruction. As a young woman she is forced into an arranged marriage but escapes, flees to the mountains and falls in love with the local chief Alymbek, whom she marries. When he is killed by political rivals, she becomes the "queen of the mountains" and a key figure and negotiator in the national struggle, when the Russians invade.

Movie Reviews

Loved the film, it is versatile, deep, beautiful. Lovely acting and gorgeous landscapes. The movie shows the beauty of Kyrgyz land and the beauty of its nation. It is incredible what they have done in such a limited budget .The film is about love to your motherland, about love to each other , about unity , about dignity and courage , about sacrifice and choice , about role of woman in a history . Cried a lot ,it touches the deepest part of your heart, it makes you feel responsible and conscious .Special thanks to the composers, the music is gorgeous, it absolutely matches all the scenes and gives additional depth to the meaning. Kurmanjan Datka -is a great woman , who saves her nation from total destruction and made a great contribution to the development of her country.